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{{Mediawiki:kindleoasis}}[[File:SC3.jpg|thumbnail|300px350px|left|Bottecelli’s Botticelli’s Adoration of the Magi- many of the De Medici family are actually in the picture]]This article will discuss What caused the Renaissance? Numerous social factors that encouraged and promoted the Renaissance in Italy in the period from 1350 to 1500. The Italian Renaissance in Italy was one of the world’s greatest period in culture and the arts and it . It produced great writers such as Machiavelli and artists such as Leonardoda Vinci. This article will discuss the Italy's political, economic, and social influences that transformation encouraged people in the Italian Renaissance to adopt a new world view, that was influenced by social developmentsfundamentally transformed Italy. The work will show that there were specific factors in Specific aspects of Italian society that promoted the new values of the Renaissance, such as individualism. These social factors included ‘new rulers’, social mobility, trade , and a society that was not bound by traditional values. Above all , the increasing secularism of the times allowed people in the Renaissance Italy to conceive a new way of living and indeed even a new world.

==Socio-Economic FactorsHow did the Black Plague create economic opportunities? ==The renaissance Renaissance was an effort to imitate the lost world of ancient Greece and Rome. The Italian, artists, writers , and thinkers who all participated in the Renaissance, sought to create works that were the ancients' equal of the ancients, whom they regarded as the pinnacle of civilization. The Renaissance , unlike the Middle Ages, stressed the individual, reason, beauty, and secular values. This outlook became known as Humanism and has had a profound impact on European society. The Renaissance not only produced great works of art but also and resulted in a dramatic change in the views of Europeans and a decisive move away from the world of the Middle Ages. The origins of the Renaissance were in Italy , and they were a result of the unique society and its recent history.<ref> Burke, Peter. <i>[https://www.amazon.com/gp/product/0691162409/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0691162409&linkCode=as2&tag=dailyh0c-20&linkId=bd2fb62203df2b60edcd5189347cdd7f The Italian Renaissance: Culture and Society in Italy ]</i> Princeton: , Princeton University Press, 1999, p. 6.</ref>

In the aftermath of the Black Death, the Italy's economy of Italy benefited greatly from the trade , and thus some areas became industrialized , such as Florence. In this city, there was a large class of weavers who wove cloth for home consumption and export. The Italy's wealth of Italy increased because of trade , but it also changed people’s outlook, who which gradually adopted a more rational approach to the world. Italian society had evolved very differently from the rest of Europe. Northern Italy , in particular, was much more urbanized than the rest of Europe. Many of the largest cities in Europe were located in Northern Europe , such as Florence and Milan. Urban societies are widely believed to be more dynamic than agrarian societies. In towns and cities, ' people come together and converse and debate. Urban societies are also more open to new ideas as immigrants and traders settled in them. The plazas and taverns of Florence and other cities were often filled with people, many of them outsiders discussing new ideas and exchanging copies of manuscripts. This was a milieu that was beneficial to creative and intellectual endeavors .<ref> Burkhardt, Jacob (1990) <i>[https://www.amazon.com/gp/product/014044534X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=014044534X&linkCode=as2&tag=dailyh0c-20&linkId=80a377b938b7a965ce5df29fe782ac23 The Civilization of the Renaissance in Italy]</i>. (Hammondsworth, Penguin Classics, 1990) p. 78</ref>

Because of the increasing urbanization of Italian society and the impact of the Black Death's impact, the feudal economic system collapsed.<ref>Ruggiero, Guido. <i>[https://www.amazon.com/gp/product/0521719380/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0521719380&linkCode=as2&tag=dailyh0c-20&linkId=1b90561c922b87b9608d09e3afe7757f The Renaissance in Italy: A Social and Cultural History of the Rinascimento ]</i> (Cambridge University Press, 2015), p. 648 </ref> Feudalism was a political-social and economic system that gave political and military power to the landed elite and which tied the majority of the population to this elite. Feudalism was a system that demanded obedience, deference , and ordained that people should accept their position in society, without question. It endorsed a view of the world that it advanced the belief that the world was govern is governed by unchanging and fixed by the God's laws of God. Feudalism was never strong in Italy, even in the High Middle Ages, and after the 1350s , it all but collapsed. The collapse of feudalism led to the release of social forces that led to the Renaissance.<ref>Lopez, Robert Sabatino, <i>[https://www.amazon.com/gp/product/B007ETTC22/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B007ETTC22&linkCode=as2&tag=dailyh0c-20&linkId=4960cf91c401faa3cb7c990af3e6761e The Three Ages of the Italian Renaissance ]</i> Charlottesville: University Press of Virginia, 1970., p. 89</ref> People were freer than ever before , and they were prepared to question and doubt and develop new ideas about society and to create new means of expression and styles of art to represent them. The Italy's society of Italy in the period from 1350 to 1500 energized people and encouraged them to experiment with the arts, thought , and modes of life .<ref> Gilbert, Felix. <i>[https://www.amazon.com/gp/product/0691031630/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0691031630&linkCode=as2&tag=dailyh0c-20&linkId=e4d96c0c5e014c0593f0205f31fee3d3 History: Politics or Culture? Reflections on Ranke and Burckhardt]</i>. (Princeton, N.J.: Princeton University Press, 1990). p. 109</ref>{{Mediawiki:TabletAd1}}== Who became the New Elite during the Italian Renaissance? ==[[File: SC2.jpg|thumbnail|300px|thumbnail|Lorenzo De Medici ‘The Magnificent’]]The great artists and the thinkers of the Renaissance needed the patronage of wealthy patrons and rulers. The unique political situation in Italy meant that the ruling class was distinct from the rest of Europe. Unlike elsewhere, they were not many hereditary rulers. Many of the rulers were often self-made men. The ‘new rulers’ in Renaissance Italy usually acquired power through war, such as the Sforza’s in Milan or by manipulating the existing political system as in the De Medici case in Florence.<ref> Burckhardt, 1990, p. 78</ref> They were to play a crucial role in the Renaissance's development and the values that inspired it. Since they were often ruled by political conquest, they legitimated rule their rule through artists' and composers' lavish patronage. Renaissance artists such as Donatello benefitted from this system and allowed artists to work consistently. A Swiss Cultural historian in the nineteenth century argued that these new rulers saw the ‘state as a work of art.’<ref> Burkhardt, 134</ref> These new rulers also could not rely on traditional power structures to support the rule of their governments. This meant that they often adapted and changed governments' systems in the city-states to maintain and perpetuate their rule. This meant that they sought other models of government, and as a result, they came under the influence of the classical world. The new leaders employed learned men to help them in their government and for their bureaucracy.They regularly employed humanists, and in this way, humanism influenced the development of the state.  The Humanists often used their classical learning to provide solutions to current problems. This did much to promote classical learning in this period, which could have practical value and not merely academic. The ideas and the classical world's works that privileged reason and the individual became very influential, which encouraged a new world view among the educated and the literate.<ref> Burckhardt, 1990, p. 156</ref> ==Did Individualism become celebrated during the Italian Renaissance? ==Perhaps the greatest difference between the Middle Ages and the Renaissance was the latter’s renewed interest in the individual. There were several reasons for this. Firstly, there was the example of the New Rulers. They had secured political control and often absolute power through their own initiative and depending only on their talent and will.<ref>Burkhardt, 1990, p. 167</ref> They were living proof that a person could use innate talents and their gifts could raise themselves from a lowly station and by sheer will power change their destiny. The individual was seen as something positive and that people could change their ordained status in society, in contrast to medieval thinking.  The example of the New Rulers was particularly influential at a time of increased social mobility. Because of the collapse of the feudal system in the aftermath of the Black Death, social mobility became more common. People born poor could rise and improve their lot. Many humble traders became wealthy merchants.<ref> Burckhardt, 1990, p. 156</ref>  This new emphasis on the individual imbued the artists, scholars, and writers of the time and represented in the works. The new focus on the individual is evident in artists' work as diverse as Michelangelo and Leonardo Da Vinci. The status of the artist increased immeasurably at this time. The new value placed on the individual and their abilities meant that the artist's role and place in society were changed. No longer are they seen as craftsmen who were often members of guilds, now they came to be regarded as talented and extraordinary individuals with a significant role in society. The modern conception of the artist owes much to the Renaissance view of the artists. The artists' new status allowed them greater freedom of expression, which allowed them to create so many timeless masterpieces.<ref> Burke, p 214</ref> <dh-ad/>

==The New Elite==Spectacle and Display====[[File: SC2SC1.jpg|thumbnail|300px200px|thumbnailleft|Lorenzo De Medici ‘The Magnificent’Fransico Sforza, a mercenary who became Duke of Milan]]The great artists and the thinkers of Italy during the Renaissance needed the patronage of wealthy patrons was a society that was obsessed with display and rulersspectacle. The unique political situation Life in Italy meant that the ruling class towns and cities was distinct from the rest structured around an apparently endless round of Europecivic and religious ceremonies and festivals. Unlike elsewhere, they were not many hereditary rulers, many The courts of the rulers were often self-made menalso renowned for lavish spectacles. The ‘new rulers’ in Renaissance Italy usually acquired power through war<ref>Celenza, Christopher, and Kenneth Gouvens, such as the Sforza’s Editors. <i>[https://www.amazon.com/gp/product/9004149074/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=9004149074&linkCode=as2&tag=dailyh0c-20&linkId=e30a1e7a250f2433267f6270d8640f11 Humanism and Creativity in Milan or by manipulating the existing political system as the case of the De Medici in Florence.Renaissance]<ref/i> Burckhardt(Longmans, 1990Leiden 2006), ppp. 78295–326</ref> They  The New Elites such as the De Medici used spectacles and display to assert themselves in society and to demonstrate their wealth. Wealthy members of the urban elite and the aristocracy were always keen to demonstrate their status. This need to publicize and affirm one’s status led to play a crucial role in the development patronage of great artists and writers to provide displays and exhibit the Renaissance wealth and power of the values that inspired itelite. Since they often ruled by political conquestThis need for others' recognition was vital in the Renaissance, they legitimated rule their rule through which led to the lavish patronage of the period. This led to a great deal of competition to patronize the best artists and composerswriters. For example, the Sforza paid De Vinci a huge sum to work for them in Milan. Renaissance The need for display and ostentation benefitted humanists, artists such , and writers as Donatello benefitted this system and it allowed artists them to consistently workreceive more commissions. A Swiss Cultural historian in the nineteenth century argued It also encouraged them to be more creative and daring to produce works that these new rulers saw the ‘state as a work of artwould get their patrons' attention.’<ref> BurkhardtCelenza, 134p. 296</ref>

These new rulers also could not rely on traditional power structures to support their rule of their governments. This meant that they often adapted and changed the system of governments in the city-states to maintain and perpetuate their rule. This meant that they sought other models of government and as a result, they came under the influence of the classical world. The new rulers employed learned men to help them in their government and for their bureaucracy. They regularly employed humanists and in this way humanism influenced the development of the state. The Humanists often used their classical learning to provide solutions to current problems. This did much to promote classical learning in this period, which was something that could have a practical value and not something merely academic. Through them, the ideas and the works of the classical world, that privileged reason and the individual became very influential and this did much to encourage a new world view among the educated and the literate.<refdiv class="portal" style='float:right; width:35%'> Burckhardt, 1990, p. 156</ref>.

==IndividualismWhat was Secularism during the Renaissance?==Perhaps the greatest difference between great impact of the Middle Ages Papacy on Italy and the Renaissance beyond was on religious belief. The increasing secular outlook and policies of the latter’s renewed interest in the individual. There Pope were several reasons for thisviewed with disgust and outrage by many religious people, especially outside Italy. Firstly<ref> Duffy, there was the example Eamon. <i>[https://www.amazon.com/gp/product/0300206127/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0300206127&linkCode=as2&tag=dailyh0c-20&linkId=1d87d8482b2ccfba05039944a61b1172 Saints and Sinners: A History of the New Rulers, they had secured political control and often absolute power through their own initiative and depending only on their talent and willPopes].<ref/i>BurkhardtYale University Press, 19901997), p. 167211</ref>. They Many people in Christendom were living proof worried that a person could use innate talents and their gifts could raise themselves from a lowly station and by sheer will power change their destiny. The individual if the Pope was seen as something positive and that people could change their ordained status in societycorrupt, in contrast to medieval thinking. The example of the New Rulers was one that was particularly influential at a time of increased social mobility. Because of the collapse of the feudal system in the aftermath of the Black Deathchurch also corrupt, social mobility became more common. People born poor could rise and improve what did this mean for their lot, many humble traders became wealthy merchantssalvation. <ref> Burckhardt, 1990Duffy, p. 156334</ref>. The artistsChurch at this period needed reform, scholars and writers of all over Europe. Successive Popes did not attempt to reform the time clergy as they were imbued by this new emphasis on the individual too preoccupied with Italy's interests and it was represented especially in the worksPapal States. The new focus on lives of the individual is evident in the work of artists as diverse as Michelangelo Popes scandalized many and Leonardo Da Vinci. The status of led to many becoming disenchanted with the artist increased immeasurably at this timeCatholic Church. The new value placed on Before the individual and their abilities meant that the role and place of the artist in society Counter-Reformation, religious observance was changed. No longer are they seen as craftsmen who were often members of guildslax, now they came to be regarded as talented and extraordinary individuals with a significant role in society. The modern conception of the artist owes much Inquisition found to the Renaissance view of the artistsenforce Church doctrine fell into abeyance. The new status of the artists allowed them greater freedom of expression which allowed them to create so many timeless masterpieces<ref> BurkeDuffy, p 214. 335</ref>.

==Spectacle and Display==[[File: SC1.jpg|thumbnail|300px|left|Fransico Sforza, a mercenary who became Duke The increasing secularism of Milan]]Italy during the Renaissance was a society that was obsessed with display Italian elite and spectacle. Life in the towns and cities emerging class of the time were structured around an apparently endless round of civic and religious ceremonies traders and festivals. The courts of the rulers were also renowned for lavish spectacles. <ref>Celenza, Christopher and Kenneth Gouvens, Editors. Humanism and Creativity bureaucrats proved decisive in the Renaissance (Longmans, Leiden 2006),pp. 295–326</ref>. The New Elites such No longer was the world seen as the De Medici used spectacles a vale of tears, but it was a place where men and display to assert themselves in society women could find meaning and to demonstrate their wealtheven beauty. Wealthy members of During the urban elite and the aristocracy Renaissance, people were always keen to demonstrate their status. This need to publicize and affirm one’s status led to the patronage of great artists and writers quite willing to provide displays and exhibit the wealth celebrate this life and power of the elite. This need not just wait for others recognition was vital happiness in the Renaissance and it led to the lavish patronage of the periodnext life. This led to a great deal of competition People came to patronize the best artists see something special and writersunique in human experience. For example In Renaissance society, the Sforza paid De Vinci body was not seen as a huge sum to work for them in Milan. The need for display and ostentation benefitted humanistssource of sin, artistsbut under secular ideas, and writers as it allowed them came to receive more commissions and it also encouraged them be something to be more creative celebrated and daring to produce not scorned. Evidence of this is seen everywhere in the works of great artists such as Botticelli and Michelangelo, that would get celebrate the attention for their patrons<ref> Celenza, p. 296</ref>human form.

==Secularism== Perhaps the great impact of the Papacy on Italy and beyond was on religious belief. The increasing This increasingly secular outlook and policies the optimism about the human condition led to what Jacob Burckhardt has called the ‘discovery of the Pope were viewed with disgust man and outrage by many religious people, especially outside Italy<ref> Duffy, Eamon. Saints & Sinners: A History of the Popesworld. Yale University Press, 1997), p. 211’</ref>. Many people in Christendom were worried that if the Pope was corrupt, was the church also corrupt and what did this mean for their salvation <ref>DuffyBurkhardt, p. 334115</ref>. The Church at this period needed reformInfluenced by classical ideas, all over Europe. Successive Popes did not attempt to reform the clergy as they were too preoccupied with their interests in Italy and especially many in the Papal States. The lives Renaissance became more aware of the Popes scandalized many humans' potential and led began to many becoming disenchanted with investigate the Catholic Churchworld. Prior to the Counter-Reformation religious observance was lax A new worldview emerged in Renaissance Italy, which affirmed men and women's dignity and the Inquisition which was found to enforce Church doctrine, fell into abeyance.<ref> Duffy, pcapabilities. 335</ref>

The increasing secularism of ==What was the Italian elite and also impact of the emerging class of traders and bureaucrats was to prove decisive in the Renaissance. No longer was on Italy? ==The Renaissance changed the world seen just as a vale history of tears but it was a place where men and women could find meaning and even beauty. During the RenaissanceItaly, Europe, people were quite willing to celebrate this life and not just wait for happiness in the next lifeworld. People came to see something special It first emerged in Italy, and unique in the human experiencethis was no coincidence. In Renaissance Italian society, in the body period from 1350-1500 was not seen as a source of sin but under ideally suited for the influence development of secular ideas, it came to be something to be celebrated a new culture and not scorned. Evidence view of this is seen everywhere in the works world. The growing wealth and urbanization of Northern Italy meant that a new culture developed to replace the great artists such as Botticelli old medieval order and Michelangelo, its values. The society was one that celebrate privileged the human form. This increasingly, secular outlook individual and the optimism about the human condition led to what Jacob Burckhardt has called the ‘discovery of man and the worldbelieved that life could be meaningful.’<ref> Burkhardt, p. 115</ref> Influenced by classical ideas, many The new elite in the Renaissance became more aware of the potential of humans this society that appreciated display and began ostentation encouraged them to investigate the worldpatronage great artists. A new worldview emerged It was also a factor in Renaissance Italy, which affirmed the dignity of men and women experimentation carried out by writers and artists who sought to impress their capabilitiespatrons.

==Conclusion==The Renaissance changed the history of Italy, Europe, and the world. It first emerged in Italy and this was no coincidence. Italian society in the period from 1350-1500 was one that was ideally suited for the development of a new culture and view of the world. The growing wealth and urbanization of Northern Italy meant that a new culture developed to replace the old medieval order and its values. The society was one that privileged the individual and believed that life could be meaningful. The new elite in this society, that appreciated display, and ostentation, encouraged them patronage of great artists. It was also a factor in the experimentation carried out by writers and artists who sought to impress their patrons. Perhaps the key social factor in the development of the Renaissance in Italy was the growing secularism of society, no . No longer were men and women confined to a theological interpretation of the world and life but sought to find an alternative way of living in their new society. In the new environment, many sought guidance for the new society emerging in the great works of the classical past , and in their desire to emulate the past, they managed to create a new culture. One that in many ways laid the foundations for the modern world.

====References====

 Updated December 28, 2020 [[Category:Italian History]] [[Category:Renaissance History]] [[Category:European History]][[category:wikis]]{{MediaikiMediawiki:RenaissanceHistory}} {{Contributors}}