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[[File:SC3.jpg|thumbnail|350px|left|Botticelli’s Adoration of the Magi- many of the De Medici family are actually in the picture]]
What caused the Renaissance? There are numerous Numerous social factors that encouraged and promoted the Renaissance in Italy from 1350 to 1500. The Italian Renaissance was one of the world’s greatest period in culture and the arts. It produced writers such as Machiavelli and artists such as Leonardo da Vinci. The Italy's political, economic , and social transformation of Italy encouraged people to adopt a new world view, that fundamentally transformed Italy. Specific aspects in of Italian society promoted the new values such as individualism. These social factors included ‘new rulers’, social mobility, trade , and a society that was not bound by traditional values. Above all , the increasing secularism of the times allowed people in the Renaissance to conceive of a new way of living and even a new world.
====Socio-Economic Factors==How did the Black Plague create economic opportunities? ==The Renaissance was an effort to imitate the lost world of ancient Greece and Rome. The Italian, artists, writers, and thinkers who all participated in the Renaissance, sought to create works that were the ancients' equal of the ancients, whom they regarded as the pinnacle of civilization. The Renaissance, unlike the Middle Ages, stressed the individual, reason, beauty, and secular values. This outlook became known as Humanism and has had a profound impact on European society. The Renaissance not only produced great works of art but also and resulted in a dramatic change in the views of Europeans and a decisive move away from the world of the Middle Ages. The origins of the Renaissance were in Italy , and they were a result of the unique society and its recent history.<ref> Burke, Peter. <i>[https://www.amazon.com/gp/product/0691162409/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0691162409&linkCode=as2&tag=dailyh0c-20&linkId=bd2fb62203df2b60edcd5189347cdd7f The Italian Renaissance: Culture and Society in Italy]</i> Princeton, Princeton University Press, 1999, p. 6.</ref>
In the aftermath of the Black Death, the Italy's economy of Italy benefited greatly from the trade , and thus some areas became industrialized , such as Florence. In this city, there was a large class of weavers who wove cloth for home consumption and export. The Italy's wealth of Italy increased because of trade , but it also changed people’s outlook, who which gradually adopted a more rational approach to the world. Italian society had evolved very differently from the rest of Europe. Northern Italy , in particular, was much more urbanized than the rest of Europe. Many of the largest cities in Europe were located in Northern Europe , such as Florence and Milan. Urban societies are widely believed to be more dynamic than agrarian societies. In towns and cities, ' people come together and converse and debate. Urban societies are also more open to new ideas as immigrants and traders settled in them. The plazas and taverns of Florence and other cities were often filled with people, many of them outsiders discussing new ideas and exchanging copies of manuscripts. This was a milieu that was beneficial to creative and intellectual endeavors.<ref> Burkhardt, Jacob (1990) <i>[https://www.amazon.com/gp/product/014044534X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=014044534X&linkCode=as2&tag=dailyh0c-20&linkId=80a377b938b7a965ce5df29fe782ac23 The Civilization of the Renaissance in Italy]</i>.(Hammondsworth, Penguin Classics, 1990) p. 78</ref>
Because of the increasing urbanization of Italian society and the impact of the Black Death's impact, the feudal economic system collapsed.<ref>Ruggiero, Guido. <i>[https://www.amazon.com/gp/product/0521719380/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0521719380&linkCode=as2&tag=dailyh0c-20&linkId=1b90561c922b87b9608d09e3afe7757f The Renaissance in Italy: A Social and Cultural History of the Rinascimento]</i> (Cambridge University Press, 2015), p. 648 </ref> Feudalism was a political-social and economic system that gave political and military power to the landed elite and which tied the majority of the population to this elite. Feudalism was a system that demanded obedience, deference , and ordained that people should accept their position in society, without question. It endorsed a view of the world that it advanced the belief that the world is governed by unchanging and fixed by the God's laws of God. Feudalism was never strong in Italy, even in the High Middle Ages, and after the 1350s , it all but collapsed. The collapse of feudalism led to the release of social forces that led to the Renaissance.<ref>Lopez, Robert Sabatino, <i>[https://www.amazon.com/gp/product/B007ETTC22/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B007ETTC22&linkCode=as2&tag=dailyh0c-20&linkId=4960cf91c401faa3cb7c990af3e6761e The Three Ages of the Italian Renaissance]</i> Charlottesville: University Press of Virginia, 1970, p. 89</ref> People were freer than ever before , and they were prepared to question and doubt and develop new ideas about society and to create new means of expression and styles of art to represent them. The Italy's society of Italy in the period from 1350 to 1500 energized people and encouraged them to experiment with the arts, thought , and modes of life.<ref> Gilbert, Felix. <i>[https://www.amazon.com/gp/product/0691031630/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0691031630&linkCode=as2&tag=dailyh0c-20&linkId=e4d96c0c5e014c0593f0205f31fee3d3 History: Politics or Culture? Reflections on Ranke and Burckhardt]</i>. (Princeton, N.J.: Princeton University Press, 1990). p. 109</ref>
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====The Who became the New Elite==during the Italian Renaissance? ==
[[File: SC2.jpg|thumbnail|300px|thumbnail|Lorenzo De Medici ‘The Magnificent’]]
The great artists and the thinkers of the Renaissance needed the patronage of wealthy patrons and rulers. The unique political situation in Italy meant that the ruling class was distinct from the rest of Europe. Unlike elsewhere, they were not many hereditary rulers, many . Many of the rulers were often self-made men. The ‘new rulers’ in Renaissance Italy usually acquired power through war, such as the Sforza’s in Milan or by manipulating the existing political system as the case of in the De Medici case in Florence.<ref> Burckhardt, 1990, p. 78</ref> They were to play a crucial role in the Renaissance's development of the Renaissance and the values that inspired it. Since they were often ruled by political conquest, they legitimated rule their rule through lavish patronage of artists ' and composers' lavish patronage. Renaissance artists such as Donatello benefitted from this system and allowed artists to work consistently work. A Swiss Cultural historian in the nineteenth century argued that these new rulers saw the ‘state as a work of art.’<ref> Burkhardt, 134</ref>
These new rulers also could not rely on traditional power structures to support the rule of their governments. This meant that they often adapted and changed the system of governments ' systems in the city-states to maintain and perpetuate their rule. This meant that they sought other models of government , and as a result, they came under the influence of the classical world. The new leaders employed learned men to help them in their government and for their bureaucracy. They regularly employed humanists , and in this way , humanism influenced the development of the state. The Humanists often used their classical learning to provide solutions to current problems. This did much to promote classical learning in this period, which was something that could have practical value and not something merely academic. Through them, the ideas and the works of the classical world, that privileged reason and the individual became very influential and this did much to encourage a new world view among the educated and the literate.<ref> Burckhardt, 1990, p. 156</ref>
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====Spectacle and Display====
[[File: SC1.jpg|thumbnail|200px|left|Fransico Sforza, a mercenary who became Duke of Milan]]
Italy during the Renaissance was a society that was obsessed with display and spectacle. Life in the towns and cities of the time were was structured around an apparently endless round of civic and religious ceremonies and festivals. The courts of the rulers were also renowned for lavish spectacles. <ref>Celenza, Christopher , and Kenneth Gouvens, Editors. <i>[https://www.amazon.com/gp/product/9004149074/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=9004149074&linkCode=as2&tag=dailyh0c-20&linkId=e30a1e7a250f2433267f6270d8640f11 Humanism and Creativity in the Renaissance]</i> (Longmans, Leiden 2006),pp. 295–326</ref>
The New Elites such as the De Medici used spectacles and display to assert themselves in society and to demonstrate their wealth. Wealthy members of the urban elite and the aristocracy were always keen to demonstrate their status. This need to publicize and affirm one’s status led to the patronage of great artists and writers to provide displays and exhibit the wealth and power of the elite. This need for others ' recognition was vital in the Renaissance and it , which led to the lavish patronage of the period. This led to a great deal of competition to patronize the best artists and writers. For example, the Sforza paid De Vinci a huge sum to work for them in Milan. The need for display and ostentation benefitted humanists, artists, and writers as it allowed them to receive more commissions and it . It also encouraged them to be more creative and daring to produce works that would get the attention for their patrons' attention.<ref>Celenza, p. 296</ref>
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====What was Secularism==during the Renaissance?== Perhaps the great impact of the Papacy on Italy and beyond was on religious belief. The increasing secular outlook and policies of the Pope were viewed with disgust and outrage by many religious people, especially outside Italy.<ref> Duffy, Eamon. <i>[https://www.amazon.com/gp/product/0300206127/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0300206127&linkCode=as2&tag=dailyh0c-20&linkId=1d87d8482b2ccfba05039944a61b1172 Saints and Sinners: A History of the Popes].</i> Yale University Press, 1997), p. 211</ref> Many people in Christendom were worried that if the Pope was corrupt, was the church also corrupt , and what did this mean for their salvation. <ref>Duffy, p. 334</ref> The Church at this period needed reform, all over Europe. Successive Popes did not attempt to reform the clergy as they were too preoccupied with their Italy's interests in Italy and especially in the Papal States. The lives of the Popes scandalized many and led to many becoming disenchanted with the Catholic Church. Prior to Before the Counter-Reformation , religious observance was lax , and the Inquisition which was found to enforce Church doctrine, fell into abeyance.<ref> Duffy, p. 335</ref> The increasing secularism of the Italian elite and the emerging class of traders and bureaucrats proved decisive in the Renaissance. No longer was the world seen as a vale of tears, but it was a place where men and women could find meaning and even beauty. During the Renaissance, people were quite willing to celebrate this life and not just wait for happiness in the next life. People came to see something special and unique in human experience. In Renaissance society, the body was not seen as a source of sin, but under secular ideas, it came to be something to be celebrated and not scorned. Evidence of this is seen everywhere in the works of great artists such as Botticelli and Michelangelo, that celebrate the human form. This increasingly secular outlook and the optimism about the human condition led to what Jacob Burckhardt has called the ‘discovery of man and the world.’<ref> Burkhardt, p. 115</ref> Influenced by classical ideas, many in the Renaissance became more aware of humans' potential and began to investigate the world. A new worldview emerged in Renaissance Italy, which affirmed men and women's dignity and capabilities.
====References====
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Updated January December 28, 20192020
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