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The Byzantine Emperor visited Florence in 1493 to ratify the Union, and he was attended by several hundred followers among them the great Neoplatonist philosopher George Gemistos Plethon.<ref> Miles, p. 123</ref> Cosimo had failed to achieve a lasting union between the eastern and the western Church. However, he inspired renewed interest in the works of the Greeks as he patronized several Greek scholars from Byzantium and appeared to have secured some manuscripts that were previously unknown in Florence. In the Byzantine Empire, there were many great works from the Greek past that were unknown in Italy. The city of Florence soon became the center for the study of Ancient Greek culture and Neoplatonism, became very influential.<ref>Hibbert, p. 134</ref> The increasing interest in Greek culture was to direct the Renaissance in new directions and inspired a new generation of writers and philosophers such as Pico Della Mirandola.

[[File:Medici Two.jpg|thumbnail|300px|left|Lorenzo the Magnificent]]

All of the de Medici had an interest in the arts in the fifteenth century and art was used to legitimize the family's rule of Florence. The works commissioned by the family often sought to raise the status of the family in the city. They used art to fortify their position in Florentine Society. However, the family was also genuinely fond of art, architecture, and literature. Cosimo was very knowledgeable about architecture and Lorenzo the Magnificent was a connoisseur of paintings and sculptures.

Lorenzo's treatment of articles was unprecedented in Republican Florence, where painters and sculptors had only been ranked as mere tradesmen or common craftsmen.'<ref> Miles, 117</ref> This treatment raised the status of the artists in the eyes of Florentine society and this was to produce an environment where they had more freedom of expression, and this enabled them to produce many great artworks.<ref>Strathern, p 65</ref> Lorenzo not only patronized these great artists but they also patronized many humanists and writers and they all helped to make Florence a leading intellectual center. Ironically, it has been suggested that the de Medici’s lavish expenditure on the arts and buildings led to their financial difficulties from the 1480s onwards, which contributed to their ‘expulsion from the city in 1494.<ref>Miles, p 134 </ref>

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