3,257
edits
Changes
→Rise of Multiculturalism
The rise of common languages during this time, first expressed in Aramaic, also likely explains how multiculturalism flourished. <ref> For information on how Aramaic plays an important social role, see: Folmer, M. L. 1995. The Aramaic Language in the Achaemenid Period: A Study in Linguistic Variation. Orientalia Lovaniensia Analecta 68. Leuven: Uitgeverij Peeters en Dép. Oosterse Studies.</ref> In effect, while cultural groups were free to worship as they pleased in most periods and conduct their own affairs, common language enabled the creation of an identity that groups could relate with to enable the state and, more significantly, the multicultural system to persist. Therefore, while ethnic groups retained their own sets of ideas and religions, they were also integrated into a larger society where a common language allowed them to communicate with others more easily.<ref>For more information about common languages in the Near East in the Classical Age, see: Noble, T. F. X. 2013. Western civilization: beyond boundaries (Cengage advantage edition, Seventh edition). Boston, MA: Wadsworth, Cengage Learning, pg. 149.</ref>
Perhaps one good example of how multicultural ideas began to persist and penetrate societies can be found in the ancient city of Dura Europos, found in modern day eastern Syria. While this region might be known for strife and ravages created by ISIS today, the reality was very different in the 1 century CE. During that time, Dura Europos was a thriving small city that had such languages as Latin, Greek, Syriac, Persian, and others. The many temples and places of worship represented gods across Europe, the Near East, and India, reflecting perhaps the diversity of people found in the city. Cultures also began to influence each other. For instance, one famous find in the city is a synagogue with beautiful style frescoes. However, many of these frescoes were influenced or mixed Near East styles with classical art, showing that cultures began to borrow ideas from each other. This is something we call as artistic syncretism(Figure 5).<ref>For more information on how Classical art influences and blends with Near Eastern art and styles, including in religion, see: Reid, P. V. 1987. Readings in Western religious thought. New York: Paulist Press.</ref> What was happening was not bad copies of Classical art in the Near East, but art began to now be influenced by local cultures mixed with new populations who had come to the region, including Greeks and Romans.
Given this rise of multiculturalism, it is perhaps not surprising that when we do get the rise of Christianity and Judaism, religions that were universal and monotheistic, they seem to have been accepted or tolerated in many areas of the Near East ruled by Iranian dynasties, such as the Parthians and Sasanians, by then had a long experience with multiple cultural groups and beliefs. These groups recognized, perhaps, the benefits of keeping a united state through the tolerance to different groups, even those that emphasized a narrower worldview of salvation that Rome found so threatening. <ref> For information on religious tolerance in the Parthian and Sasanian periods, see: Curtis, John, Vladimir Grigorʹevich Lukonin, and British Museum, eds. 2000. Mesopotamia and Iran in the Parthian and Sasanian Periods: Rejection and Revival C. 238 BC-AD 642: Proceedings of a Seminar in Memory of Vladimir G. Lukonin ; Funded by a Gift from Raymond and Beverly Sackler. London: Published for the Trustees of the British Museum by British Museum Press.</ref>
[[File:Reliefs.jpg|thumbnail|Figure 4. Reliefs from Persepolis depict Egyptian (1), Greek (2), and Assyrian (3) style influences (a & b). By the 6th-5th centuries BC, populations were heavily mixed in major population centres.]]
[[File:Dura Europos fresco worshipping gold calf.jpg|thumbnail|Figure 5. This synagogue painting shows a Biblical scene of the burning of the calf. While the story is well known, the art is influenced by Greco-Roman styles and mixes Near East elements.]]
==Continuity in Multiculturalism==