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==Hoover and the Red Scare==The movie opens with Hoover playing an important role in the so-called Red Scare (1919)J. In the aftermath of the Russian Revolution, there was Edgar is a widespread fear 2011 biopic of communism in America. Indeed, there were extreme left-wingers active in the USA powerful and the movie does accurately depict their machinationsnotorious J. The role Edgar Hoover, former chief of Hoover in the so-called Palmer Raids, when communists and left-wing sympathisers were arrested and deported is shown accurately Federal Bureau of Investigation (1919-1921FBI)<ref> Gentry, Curt. J. Edgar Hoover: The Man and motion picture follows the Secrets rise of Hoover (London, W. W. Norton & Company, 20011895-1972), p. 67</ref>. However, from a minor functionary to the movie shows head of the Di Caprio’s character as masterminding this operationmost powerful law-enforcement agency in America, who had great personal power. In reality Hoover was only following Clint Eastwood directed the directions of his mentor Attorney General A. Mitchell Palmer. Communism was a near obsession of Hoover movie and he genuinely believed that America and its way of life it was threatened scripted by ‘Reds’Dustin Lance Black, who were under won an academy award for the direction of the Soviet Unionbiopic Milk in 2008. He saw communism as a disease This movie starred Leonardo Di Caprio and that it had to be fought constantly <ref>Ackerman. Kennethco-starred Armie Hammer, Young J. Edgar: Hoover, the Red ScareNaomi Watts, and the Assault on Civil Liberties (New York, Carroll & Graf, 2007), p. 78, 119</ref>Judi Dench.  The movie shows Hoover, as being inspired by a desire to save the free world from the ‘red menace’ and this is accurate. In motion picture was released at the scriptAFI Festival, the head of the FBI was shown as being corrupted by his unflinching opposition to communism and this while it was one of the reasons why he engaged in unethical and illegal behavioura minor commercial success, it only received mixed reviews. It is beyond dispute that Hoover was the implacable foe of communism and socialism. The film does not really capture the fact that he used the fear of communism nominated for his own purposes. He was able to manipulate any Academy Awards even though the widespread fear performances of all the ‘Reds’ to further his own career and ambitionsactors were widely praised. This The accuracy of historical biopics is something that it not really raised in Eastwood’s biopic. Hoover would routinely accuse those whom he disliked or saw as a threat to his position as a communist. He often stated that senators, political opponents, judgesdisputed, civil liberties advocates and journalists were communists so that he could impose his will on them or to gain some advantage <ref> Gentry, pthis is also the case with J. 301</ref>Edgar. The movie tends to show  ====Hoover as a misguided patriot but in reality he was a Machiavellian operator, who used and the fear of communism to secure his own power in the US <ref> Gentry, p. 318</ref>. Red Scare====

==Hoover and the FBI==Hoover was appointed as FBI director in 1924. He is shown as an innovator and someone who was able to use the latest organizational techniques to apprehend criminals. He was indeed an organizational genius’, and this is shown in the movie when he demonstrates his new cataloguing system to Helen Gandy (Naomi Watts). Eastwood also shows Hoover taking over an amateurish and shambolic organization that was not fit for purpose and this is accurate. He did overhaul and reform the Bureau and turned it into a very professional organization. The FBI chief did recruit only the best for his law enforcement agency and he transformed the culture of the FBI. He was responsible for the G-Men and cultivated an aura around the Bureau to make it appear to be the leading crime fighting agency in the country. One of the most important contributions of Hoover to law enforcement was the creation of the FBI laboratory in Qunatico. This provided forensic analysis support to not only the Bureau but also to law enforcement agencies throughout the United States. The most notorious head of the FBI was a true pioneer in law enforcement and he saw the value of finger prints, blood testing, and handwriting analysis, as essential tools in the fight against crime and this is shown very well in Eastwood’s work. The movie also shows Hoover’s role in the fight against infamous criminals from the Depression such as Baby Face Nelson and John Dillinger, which was the case. It was during the 1930s that the Bureau really became well-known and caught the imagination of the public. Eastwood’s movie shows the notorious Lindberg case as changing the fortunes of Hoover and the FBI. In the 2011 motion picturefilm, Hoover and his G-Men are portrayed as playing an integral role into the 1934 kidnapping of the baby son of the great aviator Charles Lindbergh (1932). It shows the main character being asked to intervene and solve the case by President Herbert Hoover and helping to apprehend the kidnapper. In reality, the FBI played only a limited role in the case and Hoover’s new forensic techniques did not lead to the capture of the criminal who kidnapped the Lindberg baby<ref>Gentry, p 319</ref>. In one scene the central character is challenged by a Senator who claimed that he should not be the country’s top cop because he had never arrested anyone. An enraged Hoover is shown as flying into a rage and arresting some gangsters in response to the Senator’s jibes. In fact, the head of the Bureau could not arrest anyone because of a Congressional rule and he was not that bothered by the Senator’s claims. ==The FBI and wire-tapping==In the movie wire-tapping is shown as another innovation of Hoover. While he did not pioneer wire-tapping he did use it extensively and in ways that were very controversial. He first used it to tap the phones of gangsters involved in bootlegging <ref> Schott, Joseph, No Left Turns: The FBI in Peace & War (New York, Praeger, 1985), p 201</ref>. Hoover is shown over time using it for his own advantage. The head of the Bureau did authorize illegal wire-tapping, not only of gangsters and criminals but also of private citizens and even prominent public figures. The FBI chief was very aware that his power and authority was dependent on politicians in Washington D.C. He knew that many of them hated him and wanted him removed. Hoover used wire tapes and bugs to monitor those he believed were his foes and who were a potential threat to his position in his beloved FBI. As in the movie Hoover, did use information obtained from 's illegal bugging to compile files which had damaging information on many high-profile people, especially on their sex-lives. Among the prominent people he had bugged activity was Kennedys, Martin Luther King and Eleanor Roosevelt. Because of these files Hoover was ‘untouchable’ and successive President would not cross him or threaten his hold on the FBI <ref> Schootemphasized, p. 134</ref>. In the film this is not emphasised and at times Clintwood’s work seemed to suggest that Hoover was acting out of a misplaced sense of duty. Moreover, as in the movie he did turn what had originally been another law enforcement agency into something else, namely a secret police force that was frequently beyond the control of the Federal Government. This His position at the head of this organization made him personally very powerful and greatly feared in Washington and beyond, which is shown very well in . The movie does show the motion picture power and fear generated by Hoover. <ref> Hack, Richard, Puppetmaster: The Secret Life of J. Edgar Hoover (New York, Phoenix Books, 2007), p 113</ref>. ==== J. Edgar Hoover's sexuality==In the biopic, we see Hoover struggling with his sexuality. His mother played by the acclaimed British actress Judi Dench is portrayed as a very domineering woman who knew that her son was attracted to men. This was something that was a social taboo but was also illegal at the time. In one scene she is warning her son about the consequences of giving into his sexual impulses when she refers to one young man who was committed to an asylum for being an alleged homosexual. There is no evidence that the relationship between Hoover and his mother was like this in real life <ref>Hack, p 28 </ref>. Later the movie shows him meeting Clyde Tolson (Armei Hammer) and the two becoming good friends and close colleagues. Later Tolson is show acting as Hoover’s deputy at the FBI. The two men were very close, and they dined, vacationed together, and are buried in the same plot. This led to a lot of gossip about the exact nature of the relationship between the two men. It was rumoured that they were in a homosexual relationship since the late 1930s. However, no one has been able to determine definitively if the relationship was a sexual one or was it merely a close friendship<ref>Hack, p. 28 </ref>. The movie shows Hoover and Tolson never consummating their relationship even though they were inseparable. Clintwood’s interpretation of the relationship between the two men is entirely plausible especially given the social pressures at the time. However, there are many, especially those who worked with him in the FBI who refute any claim that J. Edgar was homosexual. They believe that the portrayal of Hoover as gay as slanderous and peddled by left-wingers and liberals who hated him and that the 2011 motion picture simply is repeating lies about the former head of the FBI. ==

==Hoover and In the Civil Rights Movement==biopic, we see Hoover was deeply alarmed struggling with his sexuality. His mother played by the rise of the civil rights movement in the 1960s, which sought equality for African-Americansacclaimed British actress Judi Dench is portrayed as a very domineering woman who knew that her son was attracted to men. He suspected This was something that many were communists and beginning in was a social taboo but was also illegal at the mid-1950s he had time. In one scene she is warning her son about the activities consequences of many activists monitored and had their phones taped and homes buggedgiving in to his sexual impulses when she refers to one young man who was committed to an asylum for being an alleged homosexual. Many organisations such as There is no evidence that the Black Panthers relationship between Hoover and the Southern Christian Leadership Conference were targeted by the FBI on the orders of Hoover his mother was like this in real life.<ref> GentryHack, p 302 28 </ref>. It is recorded that Hoover slandered many leading members of  Later the civil rights movement to successive Presidents. It seemed that movie shows him meeting Clyde Tolson (Armie Hammer), and the head of the Bureau did personally hate Martin Luther Kingtwo become good friends and close colleagues. This Then Tolson is shown very well in acting as Hoover’s deputy at the movieFBI. In one sceneThe two men were very close, and they dined, vacationed together, the viewers and are shown Hoover writing an anonymous letter to buried in the wife of Martin Luther King which gave graphic details of his extramarital affairssame plot. With the letter is Their closeness led to a tape with recordings lot of some gossip about the exact nature of the civil rights leader’s infidelities. This is more or less an accurate account of what happenedrelationship between the two men. It was later established rumored that Hoover authorized the sending of the letter and the tape to Luther King’s wife and it was probably designed to prevent him from accepting they had been in a homosexual relationship since the Nobel Peace Prizelate 1930s. ==How accurate is J. Edgar==Eastwood had set himself an almost impossible objective in trying However, no one has been able to capture determine definitively if the relationship was a complex and contradictory figure who sexual one or was one of the most powerful men in America for almost 50 yearsit merely a close friendship. There are many things that ring true in this movie<ref>Hack, p. 28 </ref> The motion picture does show how movie shows Hoover transformed the FBI into the world’s premier law enforcement agency but also into a force that was used by him to pursue his private ambitions and his vendettas, such as his campaign against the civil rights movement in the 1960s. The motion picture also portrays how he abused his power and the fear that he inspired in Tolson never consummating their relationship even the most powerfulthough they were inseparable. Eastwood managed to treat in a very sensitive manner the issue Clintwood’s interpretation of the former head of relationship between the FBI’s sexuality. The work shows very accurately Hoover ’s rabid anti-communism. However, the biopic depicts Hoover as corrupted by power, by his excessive sense of patriotism, and hatred of extreme left-wing ideologies. This means that it downplays the insidious influence that he had on American public life. In general, when it comes to accuracy, two men is entirely plausible especially given the 2011 motion picture is largely reliable and gives viewers a good overview of social pressures at the life of this very controversial figuretime.

However, there are many, especially those who worked with him in the FBI who refute any claim that J. Edgar was gay. They believe that the portrayal of Hoover as gay as slanderous and peddled by left-wingers and liberals who hated him and that the 2011 motion picture simply is repeating lies about the former head of the FBI.  ====Hoover and the Civil Rights Movement====Hoover was deeply alarmed by the rise of the civil rights movement in the 1960s, which sought equality for African-Americans. He suspected that many were communists and beginning in the mid-1950s he had the activities of many activists monitored and had their phones tapped and homes bugged. The FBI targeted many organizations such as the Black Panthers and the Southern Christian Leadership Conference on the orders of Hoover.<ref> Gentry, p 302 </ref>  Hoover slandered many leading members of the civil rights movement to successive Presidents. It seemed that the head of the Bureau did personally hate Martin Luther King. This hatred is depicted in the movie. In one scene, the viewers are shown Hoover writing an anonymous letter to the wife of Martin Luther King which gave graphic details of his extramarital affairs. With the letter is a tape with recordings of some of the civil rights leader’s infidelities. This is more or less an accurate account of what happened. It was later established that Hoover authorized the sending of the letter and the tape to Luther King’s wife and it was probably designed to prevent him from accepting the Nobel Peace Prize. ====How accurate is J. Edgar====Eastwood had set himself an almost impossible objective in trying to capture a complex and contradictory figure who was one of the most powerful men in America for nearly 50 years. Many things ring true in the movie. The motion picture shows how Hoover transformed the FBI into the world’s premier law enforcement agency but also into a force that was used by him to pursue his private ambitions and his vendettas, such as his campaign against the civil rights movement in the 1960s.  The motion picture also portrays how he abused his power inspired fear in even the most powerful Americans. Eastwood managed to treat in a very sensitive manner the issue of the former head of the FBI’s sexuality. The work accurately depicts Hoover ’s rabid anti-communism.  However, the biopic depicts Hoover less corrupted by power, than by his excessive sense of patriotism, and hatred of extreme left-wing ideologies. The movie also downplays the insidious influence that he had on American public life. In general, when it comes to accuracy, the 2011 motion picture is mostly reliable and gives viewers a good overview of the life of this very controversial figure. ====Further Reading====

 ====References====<references/> [[Category:Wikis]] [[Category:Historically Accurate]] [[Category: 20th Century History]] [[Category:United States History]]