Changes

The context of Baroque development has to be seen in light of the great religious conflicts of the 16-17th centuries, such as the initial conflict between Luther and the Catholic Church and eventually the Thirty Years War that tore much of Europe apart. During the Council of Trent, in 1545–63, the Catholic Church was looking for a new style that would contrast itself from Protestantism and also give it a style that people could embrace. The movement begins with the development of Baroque architecture in Italy, which in the early 17th century embraced color, vivid display, and pageantry. This is manifested in the cupolas that constituted the large church domes and <i>quadratura</i> ceiling paintings. Church interiors became highly decorated and more decorative elements were added to the altar and columns of the great hall within the church. Emphasis was to put the parishioners close to the altar to make them experience the grandeur of the church and ceremony. Although one can say already some churches in Italy, particularly Rome, in the 1580s began to display a new Baroque style, most of the Baroque in the late 16th century was confined to Italy. It only really began to spread in the early 1600s, when Spain began to create its own Baroque churches, such as the San Isidro Chapel in Madrid.