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The Italian Renaissance had placed human beings at the centre center of life and had promoted secular values as opposed to instead of religious opnesones. Influenced by the ideas of the ancient past 's ideas, it conceived of a new way of life and provided a new worldview. The Renaissance was a period of great works of art, literature, and philosophy. The Renaissance or of 're-birth' was not just confined to Italy. There was also a Northern Renaissance. This is the term given to the cultural flowering that occurred north of the Alps, in German-speaking countries, the Lowlands, France, and England. The Although influenced by the Italian Renaissance, the Northern Renaissance was a unique event and although influenced by the Italian Renaissance was distinct from it. This article will argue that the origins of the Northern Renaissance were a result of resulted from the spread of printing, Italy's influence of Italy, growing wealth , and the decline of the culture associated with feudalism.

==The Northern Renaissance==The Northern Renaissance was similar to the Italian Renaissance. It also was interested in the ancient past and believed that it was a guide to the present day. The Northern Renaissance was also very much concerned with humanism and its values.<ref> Giustiniani,Vito. "Homo, Humanus, and the Meanings of Humanism", Journal of the History of Ideas 46 (vol. 2, April – June 1985): 167 – 95</ref> This was the idea that humans with the use of their reason could improve their circumstances and their society. It was more concerned with the individual. The movement believed in the possibility of human freedom and in the perfectibility of man. However, the Northern Europe Renaissance was much more religious in its nature than the Italian Renaissance. Many Northern scholars , such as Erasmus , were very much interested in the reform of the Church and . They denounced superstitions and clerical abuses and corruption, in the name of the true faith.<ref>Giustiniani, p. 187</ref> The great scholar Erasmus, who was born in the modern-day Netherlands, was religious and also very interested in the classical world.

However, he, like many other German and other Northern Humanists , he saw no contradictions between Christianity and ancient cultures and believed that they could be reconciled. The religious character of the Renaissance north of the Alps was due in part to the continuing influence of the Church, unlike in Italy, where the Church was in decline.<ref> Giustiniani, p. 187</ref> The Northern Renaissance was an impressive cultural epoch and its whose achievements were as great as those in Italy. It produced writers of the stature of Rabelais, Montaigne, Erasmus , and Thomas More. In the arts, it also was a time that saw the production of many masterpieces by artists such as Durer and Bosch. The Northern Renaissance, humanists, were not just concerned with the study of ancient texts but also the bible. Scholars began to study the bible in a new and critical way. Scholars produced more reliable versions of key biblical texts and produced commentaries on the New and Old Testament. These were very influential and the Northern Humanists ‘New Learning’ inspired many to question the teachings and authority of the Church and this did much to pave the way for the Reformation<ref> Huizinga, Johan. Erasmus and the Age of Reformation, with a Selection from the Letters of Erasmus, in series, Harper Torchbacks, and also in The Cloister Library. (New York: Harper & Row, 1957), p. 13</ref>

==Socio- Economic Background==The fifteenth and sixteenth century In the arts, it also was, a period of economic recovery for much of time that saw many masterpieces by artists such as Durer and Bosch. The Northern Europe after Renaissance humanists were not just concerned with the wars, plagues, and instability study of ancient texts but also the 14th centurybible. Trade recovered Scholars began to study the bible in a new and new trade routes were established critical way. Scholars produced more reliable versions of key biblical texts and many cities became fabulously rich in produced commentaries on the Rhineland New and the LowlandsOld Testament.<ref>Chipps Smith, Jeffrey The Northern Renaissance. Phaidon Press, 2004), p. 56</ref> Many cities became These were very richinfluential, especially those in modern Belgium such as Bruges. This period also saw stability and peace in the Northern Europe as Humanists ‘New Learning’ inspired many to question the great wars of Church's teachings and authority, which did much to pave the 14th century such as way for the One Hundred Year War ended. This and the economic expansion meant that there were more schools and Universities in Northern Europe.Reformation<ref> ChippsHuizinga, pJohan. 5</refi> The growing stability of Europe after Erasmus and the trials Age of the 14th century meant that there was more contact between Northern and Southern Europe and ideas were transmitted Reformation, with a Selection from the Mediterranean region to the North. The growing wealth Letters of the region was to be very important Erasmus</i>, in the rise series, Harper Torchbacks, and the achievements of the Northern Renaissancealso in The Cloister Library.<ref> Huizinga(New York: Harper & Row, 1957), p. 1513</ref>

This is because it allowed ====Socio- Economic Background====The fifteenth and sixteenth century was a period of economic recovery for much of Northern Europe after the local elites to patronizewars, artists and scholars. In this eraplagues, artists and writers could not live and work without the support instability of the wealthy14th century. The wealth of the elite in Northern Europe meant that there Trade recovered, and new trade routes were more patrons for artists and writers and this allowed them to create their masterpiecesestablished. The Northern Renaissance origins are associated with the Duke of Burgundy, who were among the greatest patrons of the art Many cities became fabulously rich in the early years of Rhineland and the Lowlands.<ref>Chipps Smith, Jeffrey <i>[https://www.amazon.com/gp/product/0714838675/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0714838675&linkCode=as2&tag=dailyh0c-20&linkId=6cf057f5f151d5268e8d6eede46f8871 The Northern Renaissance. The Dukes owned a vast territory stretching from Switzerland to Belgium.]<ref/i> HuizingaPhaidon Press, 2004), p. 2556</ref> They were de-facto independent Many cities became very rich, especially those in modern Belgium such as Bruges. This period also saw stability and peace in Northern Europe as the great wars of the German Holy Emperor 14th century, such as the One Hundred Year War, ended. This and the French King. Successive Dukes economic expansion meant that there were great patrons of the arts more schools and they commissioned many great works of artUniversities in Northern Europe.<ref>Chipps, p. 185</ref> The Burgundian Court played a major role, through their patronage in growing stability of Europe after the development trials of Renaissance art the 14th century meant that there was more contact between Northern and values in Northern Southern Europe. Many wealthy merchants at this time, also acted as the patrons of many artists. This was especially the case in the great Flemish cities in modern day Belgium such as Antwerp and Bruges. Wealthy merchants often commissioned works ideas were transmitted from local artists and this allowed a great school of Flemish painters the Mediterranean region to flourishthe North. The Church and the monarchies were also important patrons growing wealth of the art. For example, Francis II of France region was a great patron of to be very important in the arts and he spent lavishly on paintings and various artworks rise and he even brought the great Leonardo Da Vinci to his court. Without the patronage achievements of the elites the Northern Renaissance would not have produced as many great cultural works.<ref> ChippsHuizinga, p. 11715</ref>

This is because it allowed the local elites to patronize artists and scholars. In this era, artists and writers could not live and work without the support of the wealthy. The wealth of the elite in Northern Europe meant more patrons for artists and writers, which allowed them to create their masterpieces. The Northern Renaissance origins are associated with the Duke of Burgundy, who was among the art's greatest patrons in the early years of the Northern Renaissance. The Dukes owned a vast territory stretching from Switzerland to Belgium.<ref>Huizinga, p. 25</ref> They were de-facto independent of the German Holy Emperor and the French King. Successive Dukes were great patrons of the arts. They commissioned many great works of art.<ref>Chipps, p. 18</ref>  The Burgundian Court played a major role in their patronage in developing Renaissance art and values in Northern Europe. Many wealthy merchants at this time also acted as the patrons of many artists. This was especially the case in the great Flemish cities in modern-day Belgium, such as Antwerp and Bruges. Wealthy merchants often commissioned works from local artists, which allowed a great school of Flemish painters to flourish. The Church and the monarchies were also important patrons of the art. For example, Francis II of France was a great patron of the arts, and he spent lavishly on paintings and various artworks and even brought the great Leonardo Da Vinci to his court. Without the elites' patronage, the Northern Renaissance would not have produced as many great cultural works.<ref>Chipps, p. 117</ref> ====Influence of Italy====

In Italy, the city-states were the scene of a remarkable artistic and intellectual flowering scene since the late Medieval Period. The renaissance was an effort to imitate the lost world of ancient Greece and Rome. The Italian, artists, writers , and thinkers who all participated in the Renaissance, sought to create works that were the equal of the Greeks and Romans, whom they regarded as the pinnacle of civilisationcivilization. The ideas and the works of the Italian Renaissance soon became known north of the Alps. It was only in the late fifteenth century that ideas from Italy only slowly made their way north. In the 1490s Charles , the VIII of France invaded Italy to claim the Crown of the Kingdom of Naples.<ref>Holt, Mack P. <i>Renaissance and Reformation France: 1500-1648 </i> (The Short Oxford History of France. 2002), 89</ref>

The invasion and later wars exposed many in the French nobility, who served as officers in the army to the ideas of the Italian Renaissance and in turn, they transmitted Italian culture to the rest of Europe. Then many students from Northern Europe came to study in Italy at the great Universities such as Bologna. Here they were exposed to the ideas of the Renaissance and they returned home and helped to spread them in their native lands.<ref> Holt, p. 113</ref> More and more northerners travelled to Italy, many such as Albert Durer, the great German artists, travelled in order to study the art of the great Italian painters, which greatly influenced his style and was the inspiration between many of his greatest works. All of these contacts helped to make the ideas of the Italian Renaissance better known in the north and they inspired many humanist and artists to take a new approach in their work. They soon had absorbed the new conception of life that they had witnessed in Italy and related it to their own societies and times.<ref>O'Neill, J, ed. (1987). The Renaissance in the North (New York: The Metropolitan Museum of Art), p. 114<dh-ad/ref>

==Influence of Printing==The ideas of Italy would have been confined to a small elite invasion and later wars exposed many in Northern Europe but for the invention of printing. The basic elements of printing had been known French nobility, who served as officers in China for centuries and papermaking had been introduced the army to Europe in the 13th centuryItalian Renaissance ideas. HoweverIn turn, in they transmitted Italian culture to the 1440s there was a decisive step forward rest of Europe. Then many students from Northern Europe came to study in Italy at great Universities such as Bologna. Here they were exposed to the development of printing. In MainzRenaissance ideas, Germany, Johann Gutenberg and other printers invented movable type by cutting up old printing blocks to form individual lettersthey returned home and helped spread them in their native lands.<ref> Holt, p. 115113</ref>. It seems that More and more northerners traveled to Italy, many such as Albert Durer, the great German artists, traveled to study the invention art of Gutenberg the great Italian painters, which greatly influenced his style and other printers was based on the wine presses in this wine growing regioninspiration between many of his greatest works. Soon Gutenberg was able All of these contacts helped to mass produce books make the Italian Renaissance ideas better known in the north and inspired many humanists and documents on an unprecedented scaleartists to take a new approach in their work. Gutenberg used movable type to produce They soon had absorbed the first printed version new conception of the Bible life that they had witnessed in 1454. The printing press was a sensation at the time Italy and related it changed European society. Prior to this books were rare their own societies and not freely available as most were produced by hand by professional copyiststimes.<ref>O'Neill, J, ed. (1987). <i>The Renaissance in the North</i> (New York: The Metropolitan Museum of Art), who were usually monks and who prioritized devotional literaturep. 114</ref>

Suddenly books which were once ====Influence of Printing====Italy's ideas would have been confined to a rarity became widely available, especially to affluent traders and professionals small elite in urban centres. Soon all Northern Europe but for the major European countries had invention of printing presses and they were producing bibles, devotional works and also, significantly works by the classical authors such as Virgil <ref>Burke, Peter. The Italian Renaissance: Culture and Society basic printing elements had been known in Italy (Princeton: Princeton University PressChina for centuries, 1999), 6</ref>. The new books on classical authors exposed more people and papermaking had been introduced to Europe in the ideas of the past and especially the classical period13th century. The intellectual life of Northern Europe However, in the 1440s, there was greatly stimulated by these works and they did much to inspire intellectuals to revive a decisive step forward in the wisdom and knowledge development of the ancient past. The printing press also did much to spread the ideas of key Northern Renaissance thinkers such as Thomas More. ==Political and Social Changes==Northern Europe was undergoing a period of great cultural change. The old feudal nobility was under pressure and their influence on the culture of the time was in decline. The era’s rising prosperity saw a new class of urban merchantsIn Mainz, Germany, who had little regard for the old feudal nobility Johann Gutenberg and its values. The other printers invented movable type by cutting up old culture that was based on feudalism, promoted ideas of chivalry and deference was in decline and people were more open printing blocks to new ideasform individual letters.<ref> BurkeHolt, p. 115</ref> The humanists’ ideas were received enthusiastically by It seems that Gutenberg and other printers' invention was based on the new urban elite of merchants wine presses in this wine-growing region. Soon Gutenberg was able to mass-produce books and lawyersdocuments on an unprecedented scale. They were drawn Gutenberg used movable type to produce the values first printed version of the Italian humanistsBible in 1454. The printing press was a sensation at the time, which stressed reason and denied the primacy of received wisdom in the it changed European society. They also formed the audience for the Before, these books were rare and not freely available as most were produced by the Northern Humanists such as Erasmus. Another factor in the changing culture of the time was the rise of national monarchies in France hand by professional copyists, who were usually monks and England<ref> Burke, 134</ref>prioritized devotional literature.

In many northern kingdomsSuddenly books that were once a rarity became widely available, the monarchies were centralising power especially to affluent traders and professionals in urban centers. Soon all the feudal nobility was being weakened major European countries had printing presses, and they were being reduced from the status of semi-independent rulers to dependents of the monarch. The rise of the national monarchies meant that increasingly that cultural life was focused on the court. The monarchs of England and Franceproducing bibles, in particulardevotional works, were very receptive to the ideas of the Renaissance. They arguably used the ideas of the Renaissance to justify and legitimize their increasing role in society and their growing powerssignificant works by classical authors such as Virgil.<ref>JansonBurke, HPeter.W.; Anthony F. Janson. History of Art <i>The Italian Renaissance: Culture and Society in Italy</i> (5th, rev. ed.). New YorkPrinceton: Harry N. AbramsPrinceton University Press, Inc. 19971999), p. 1136</ref> They exploited The new books on classical authors exposed more people to the cultural productions ideas of the Renaissance in order to publicize their special position in society. For example, Francis II was a lavish patron of the arts in order to symbolically demonstrate his privileged status in French society, past and especially with regard to the nobilityclassical period. Typically, the nobles imitated the king These works greatly stimulated Northern Europe's intellectual life and this led did much to a growing interest in inspire intellectuals to revive the new styles wisdom and knowledge of art that were being produced during the Northern Renaissanceancient past. This The printing press also did much to spread the values of the key Northern Renaissance throughout France, England and beyondthinkers such as Thomas More.

==Conclusion==Political and Social Changes====The Northern Renaissance Europe was deeply influenced by the Italian Renaissance, but it was not merely an imitation undergoing a period of itgreat cultural change. The Renaissance north of the Alps old feudal nobility was much more religious than the largely secular under pressure, and pagan Renaissance in their influence on the south and it arguably laid the intellectual foundations of the Reformation. The Northern Renaissance culture's culture was inspired by the ideas that flourished in the city-states such as Florence and Venice.<ref>Huinzinga,decline.56</ref> The Northern Renaissance could not have developed without the growing peace and era’s rising prosperity saw a new class of the region especially after the difficult 14th century. This allowed members of the elite to become the patrons of writers and artists. Then there was the invention of the printing pressurban merchants, that made the works of the writers from who had little regard for the past known to many more people old feudal nobility and this did much to propagate the values and beliefs of the Northern Renaissance. Changes in society, such as the decline in The old culture based on feudalism meant that there was a growing willingness to accept new promoted ideas of chivalry and beliefs. The rising urban elites and national monarchies deference were in England decline, and France people were very willing more open to adopt the ideals of the Renaissancenew ideas.<ref> Burke, p. 115</ref>

The humanists’ ideas were received enthusiastically by the new urban elite of merchants and lawyers. They were drawn to the Italian humanists' values, which stressed reason and denied the primacy of received wisdom in the society. They also formed the audience for the books produced by the Northern Humanists such as Erasmus. Another factor in the changing culture was the rise of national monarchies in France and England.<ref> Burke, 134</ref>  In many northern kingdoms, the monarchies were centralizing power, and the feudal nobility was being weakened. They were being reduced from the status of semi-independent rulers to dependents of the monarch. The rise of the national monarchies meant that increasingly that cultural life was focused on the court. The monarchs of England and France, in particular, were very receptive to the ideas of the Renaissance. They arguably used the Renaissance ideas to justify and legitimize their increasing role in society and their growing powers.<ref>Janson, H.W.; Anthony F. Janson. <i>History of Art</i> (5th, rev. ed.). New York: Harry N. Abrams, Inc. 1997), p. 113</ref>  They exploited the cultural productions of the Renaissance to publicize their special position in society. For example, Francis II was a lavish patron of the arts to symbolically demonstrate his privileged status in French society, especially concerning the nobility. Typically, the nobles imitated the king, which led to a growing interest in the new styles of art produced during the Northern Renaissance. This did much to spread the values of the Renaissance throughout France, England, and beyond. ====Conclusion==References==The Italian Renaissance deeply influenced the Northern Renaissance, but it was not merely an imitation of it. The Renaissance north of the Alps was much more religious than the largely secular and pagan Renaissance in the south, and it arguably laid the intellectual foundations of the Reformation. The Northern Renaissance was inspired by the ideas that flourished in the city-states such as Florence and Venice.<ref>Huinzinga,.56<references/ref> The Northern Renaissance could not have developed without the region's growing peace and prosperity, especially after the difficult 14th century. This allowed members of the elite to become the patrons of writers and artists. Then there was the invention of the printing press, which made the works of the writers from the past known to many more people, and this did much to propagate the values and beliefs of the Northern Renaissance. Changes in society, such as the decline in feudalism, meant a growing willingness to accept new ideas and beliefs. The rising urban elites and national monarchies in England and France were very willing to adopt the Renaissance's ideals.

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