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==Individualism==
Perhaps the greatest difference between the Middle Ages and the Renaissance was the latter’s renewed interest in the individual. There were several reasons for this. Firstly, there was the example of the New Rulers, they had secured political control and often absolute power through their own initiative and depending only on their talent and will.<ref>Burkhardt, 1990, p. 167</ref>. They were living proof that a person could use innate talents and their gifts could raise themselves from a lowly station and by sheer will power change their destiny. The individual was seen as something positive and that people could change their ordained status in society, in contrast to medieval thinking. The example of the New Rulers was one that was particularly influential at a time of increased social mobility. Because of the collapse of the feudal system in the aftermath of the Black Death, social mobility became more common. People born poor could rise and improve their lot, many humble traders became wealthy merchants.<ref> Burckhardt, 1990, p. 156</ref>. The artists, scholars and writers of the time were imbued by this new emphasis on the individual and it was represented in the works. The new focus on the individual is evident in the work of artists as diverse as Michelangelo and Leonardo Da Vinci. The status of the artist increased immeasurably at this time. The new value placed on the individual and their abilities meant that the role and place of the artist in society was changed. No longer are they seen as craftsmen who were often members of guilds, now they came to be regarded as talented and extraordinary individuals with a significant role in society. The modern conception of the artist owes much to the Renaissance view of the artists. The new status of the artists allowed them greater freedom of expression which allowed them to create so many timeless masterpieces.<ref> Burke, p 214</ref>.
==Spectacle and Display==

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