Changes

[[File:Medici-s3-t.jpg|thumbnail|left|250px|Poster from the series on Netflix.]]__NOTOC__ 

While the war was raging, Lorenzo also began to show a more dictatorial side, as he dissolved the traditional council of Florence and established a council of ten, who were mainly his loyalists. The Medici bank during this time did become over-extended and was running out of funding. As Lorenzo led Florence, he neglected the Bank's finances. His mother was shown as running the bankBank, but she was taking money from Florence itself, which would later haunt the Medici family.

<I>Lorenzo di Piero de' Medici (The Magnificent)</i>: As with the previous season, Lorenzo showed great political skill in navigating the conflict with Rome and Riario. He also was skillful in placing his son and nephew in a position to eventually become two well-known Popes. However, he neglected the family bank and after his reign , the bank Bank went bankrupt. The Medicis also became unpopular after his reign and were ousted from the city for a period.

He was also shown as an early patron of Leonardo da Vinci and Michelangelo. The politics of the time also was shown as possibly influencing Niccolò Machiavelli in his late writings.<ref>For more on Lorenzo, see: Kent, F. W. <i>Lorenzo de’ de' Medici and the Art of Magnificence</i>. The Johns Hopkins Symposia in Comparative History 24th. Baltimore: Johns Hopkins University Press, 2004.</ref>

<i>Girolamo Riario</i>: Rival to the Medicis who supported the Pazzi conspiracy and became a leader in the war against them. He not only failed but lost his life due to the increasing unpopular reign of his leadership. The series shows that his obsession with the Medici caused him to lose much support, including committing mass atrocities.<ref>For more on Riario, see: Caesar, Mathieu, ed. <i>Factional Struggles: Divided Elites in European Cities and Courts (1400-1750)</i>. Rulers & Elites, Volume 10. Leiden ; Boston: Brill, 2017, pg. 84.</ref>

<i>Girolamo Savonarola</i>: A friar in San Marco monastery that created difficulties for the Medici and even tried to end the support of the more secular arts and tastes in the period, including the use of cosmetics. He led religious revivals and, although he was initially supported by the Medici, he also preached for popular government and preached against Medici corruption and dictatorial rule. His religious zeal was comparable to the Protestant movements that occurred shortly after his death.<ref>For more on Savonarola, see: Morris, Samantha. <i>Girolamo Savonarola: The Renaissance Preacher</i>. Place of publication not identified: MADEGLOBAL Publishing, 2017.</ref>

<i>Clarice Orsini</i>: While most of the Medici family were humanists and were great patrons of the art, she was more religious and while she supported her family she also became concerned with its corruption. She ultimately dies in an unexpected death perhaps strained by the stress of the family's style of rule.

The series does take some liberties with historical accuracy, mixing important events such as Riario' death and bringing in a character with little historical reference (Tomasso). It is not clear Lorenzo did try to assassinate Girolamo Savonarola, although he does become a thorn in the side of the family. The key events, the war with Riario, Pope Sixtus' excommunication of all of Florence's government, and increasing corruption of the Medici family did occur.  Riario was shown to try to influence the selection of a new Pope after Sixtus died. The series shows that as unsuccessful but for a time Riario did have his way with the cardinals as he threatened them to make a favorable choice for him in the selection of a new Pope. The Medici bank's failure proved also to be a major blow to the family, but this was not widely portrayed in the series, as it focused more on the role of Savonarola and his role in pushing the people of Florence to dislike the Medici.  There was surprisingly little focus on the famous artists in this period. This was a time that Botticelli, da Vinci, and Michelangelo all lived, with their experiences shaping what became the High Renaissance style. Nevertheless, the events that occur may have, in fact, shaped the young Machiavelli, although he was historically shaped more by the period when the Medici were banned from the city and Florence was ruled by a republic system.